Sabtu, 06 Agustus 2011

Reel Thoughts: Don't Be Stupid

In a summer full of pumped-up superheroes and marauding car-robots, Crazy, Stupid, Love. is a much-appreciated change of pace, a witty, hilarious and constantly surprising comedy for adults without a single “We got so wasted... what did we do?” joke. Directed by Glenn Ficarra and John Requa (who can do no wrong after I Love You, Phillip Morris) and starring a fantastic cast including Steve Carell, Julianne Moore, Ryan Gosling, Marisa Tomei and Emma Stone, Crazy, Stupid, Love. is a multifaceted romantic classic in the vein of Love, Actually (maybe the secret of success is putting punctuation in your title).

Cal (Steve Carell) is blindsided when his wife of twenty-five years, Emily (Julianne Moore), announces over dessert that she wants a divorce, and that she slept with a coworker. Drowning his sorrows at a hip LA bar, he meets Jacob (Gosling), the ultimate player, who takes pity on the clothing-and-haircut-challenged Cal. Jacob gives Cal a macho makeover and ‘lessons with the ladies’, while finally meeting the girl of his dreams (Stone), who makes him want to reform.


Meanwhile, Cal’s thirteen year-old son (the unfortunately-named Jonah Bobo) is madly in love with his seventeen year-old baby sitter (Liv Tyler look-alike and America’s Next Top Model finalist Analeigh Tipton), who in turn, has a crush on Cal. Tomei has a priceless supporting role I can’t divulge, and suffice it to say, there are more surprises in Crazy, Stupid, Love. than in a case of Cracker Jacks. Ficarra and Requa, along with Tangled scribe Dan Fogelman, have mined yet another off-center piece of comedy gold.

Gosling seems to revel in playing off his good looks and killer abs, rather than hiding them as he did in Blue Valentine, and it is a joy to watch. Carell and Moore have such great, mature comic timing and chemistry that you can’t help but root for their success.  Stone is quickly becoming a Julia Roberts wattage star, based on this performance, Easy A and the upcoming The Help.

You would have to be crazy or stupid not to love Crazy, Stupid, Love.

UPDATE: Crazy, Stupid, Love is now available on DVD and Blu-rayfrom Amazon.com.

Review by Neil Cohen, resident film critic of Movie Dearest and Phoenix's Echo Magazine.

Kamis, 04 Agustus 2011

Reverend's Interview: Meet Harmony Santana

Gun Hill Road has been winning rave reviews from critics and audiences since its premiere in competition at the 2011 Sundance Film Festival. Since then, the film — about a recently-released convict who returns home to discover his teenage son is living as a woman — scored the prestigious opening night slot at Outfest and a theatrical distribution deal. It will open throughout California and the US beginning tomorrow.

I had the opportunity to speak privately with Harmony Santana, who plays the movie's central trans character of Michael/Vanessa, as well as writer-director Rashaad Ernesto Green during their recent visit to Los Angles. Currently undergoing her real-life transition from male to female, the 20-year old Santana is stunningly beautiful both on- and off-screen. She was just beginning the process when Green cast her in Gun Hill Road.


"I was looking for the genuine article," Green said. "I was looking for a real transgender person to play this transgender teen role, which was really hard." It took Green two months of searching through New York City nightclubs, GLBT community centers and drag shows before he was referred to Santana during NYC's Pride events. Santana was working an HIV prevention booth. Green described the part of Michael/Vanessa and asked Santana to audition even though she had no acting experience apart from a high school play.

Of her first professional acting experience, Santana glowingly recalls "It was like I was living a dream; I loved going to set, and the makeup and hair, everything." She said she found great support during the three-month shoot from her much more experienced co-stars Esai Morales (La Bamba, Caprica) and Judy Reyes (Scrubs), who play her parents. Santana gives an outstanding performance, and has already followed it up with what she describes as "a bitchy role" in not one but two entries in the Eating Out comedy series. "This is the start of my career," Santana says of her plan to become a successful actress and ultimately play non-transgender roles.


I asked her how she is both like and unlike the trans character she plays in Gun Hill Road. "We have the same boy problems; I think all transgender people do," Santana said in terms of the similarities. That being said, she had a boyfriend of two months at the time of my interview and reported things were going well. Of the differences, Santana noted her relationship with her father is much more estranged than that shown in the film between Michael/Vanessa and her father. "I haven't spoken to my dad in like four or five years," she said. Fortunately, Santana's family ties with her mother and 15 siblings are much stronger and they have been very supportive of her personal transformation. "I also didn't go through the physical stuff." Santana says in comparison to the abuse that Michael/Vanessa endures from her father and others.

Family isn't only the dominant theme in Gun Hill Road but was, according to Green, the inspiration behind his screenplay. "Someone very close to me in my life went through something similar, where he had a child in transition," Green shared. "I watched their family deteriorate over the course of a few years because of his inability to accept his child's transition, but at the same time he loved his child so much and I saw a child without her father." In the wake of this experience, Green decided he "wanted to make a piece of art that didn't necessarily give all the answers but at least pointed them in the right direction."


Audience response to the finished film (both nationally and internationally) has been tremendous, according to both Green and Santana. "People's eyes are being opened to a world they thought they knew but now they are getting to see another side of it," Green said. Santana has experienced viewers "coming up to me and hugging me and crying and saying how much the film means to them." She appreciates in particular a group of lesbians who came up to her and told her how much she is inspiring them, as well as Facebook messages she regularly receives saying the same.

As a trans person herself, I asked Santana about when she first began realizing she was different from other boys. "I was in the second grade," she replied. "I had gone into the bathroom at school and another boy followed me into the bathroom. We started making out and that was my first kiss ever. It all went from there." The three of us laughed as Santana debated whether her personal and romantic experiences have gone uphill or downhill after that early start.


Santana offered the following advice to other trans people: "Be yourself, be happy, and have hope in your family; they might not be supportive now but it takes time." Even if things don't work out, she spoke encouragingly of finding "family in other places, especially among your friends."

For more information on Gun Hill Road, visit the film's official website.

Interview by Rev. Chris Carpenter, resident film critic of Movie Dearest and the Blade California.

Selasa, 02 Agustus 2011

Reel Thoughts: Red Hot Cookie

Melissa Leo wasn’t always a tough older woman with years of experience showing on her face, like her roles in The Fighter and Frozen River. Back in the mid-eighties, Leo was a fresh-faced redhead whose first starring role was as innocent teen hooker Cookie in the Roger Corman exploitation film Streetwalkin’, available on DVD today. The film’s director, Joan Freeman, intended the film as a serious examination of prostitutes in New York’s Times Square, which was a hotbed of sex clubs and adult movie houses in 1985. As she explains in the commentary, however, she understood that she was making a Roger Corman film, which meant that every ten minutes or so, there needed to be nudity, violence or both.

Like an R-rated version of Pat Benatar’s “Love is a Battlefield” video, Streetwalkin’ tells the story of a girl who’s been kicked out by her alcoholic mother and flees to New York City with her little brother. She’s at the Port Authority Bus Terminal for all of five minutes before handsome but unhinged Duke (hunky Dale Midkiff in full Elvis impersonator mode) picks Cookie up, compliments her and turns her into a streetwalker. Her fellow working girls include the statuesque “Queen Bee”, played by the luminous Julie Newmar with an unidentifiable accent, Heather (Deborah Offner), Phoebe (Annie Golden) and Star (Khandi Alexander). When Duke beats roommate Heather savagely, Cookie realizes that he is a certified psycho, so she looks for help from another pimp named Jason (Leon). Duke’s “lesson” doesn’t go as planned, and soon Cookie, Queen Bee and Star are fighting for their lives on the mean streets of New York.


Streetwalkin’ also stars Antonio Fargas, a.k.a. Huggy Bear from Starsky & Hutch. The film is a fascinating time capsule of pre-Disney Times Square and Leo does show the depth and complexity she’d later exhibit in Frozen River and her Oscar-winning work in The Fighter. She also shows a bit of skin, although it’s doubtful that many lesbians will enjoy it due to its violence and abuse towards women.

Since Streetwalkin’ is a Roger Corman production, it does have a bit of grindhouse and camp appeal, but you’ll be surprised at how real its seedy setting feels. The commentary by Freeman and producer Robert Alden (who were married when the film was made) gives an intriguing look behind the scenes of a low budget movie.

Review by Neil Cohen, resident film critic of Movie Dearest and Phoenix's Echo Magazine.

Minggu, 31 Juli 2011

Monthly Wallpaper - August 2011: Toon Heroes

The wisecracking sidekicks and scene-stealing villains usually get all the attention, but it is the brave and bold Toon Heroes who get the spotlight in this month's Movie Dearest Calendar Wallpaper.

The animated action heroes and heroines of August include such American faves as Pocahontas, Hiccup and the Iron Giant, as well as such international favorites as Kiki, Akira and Wallace & Gromit, plus Roger Rabbit, the original 'toon' star.

All you have to do is click on the picture above to enlarge it, then simply right click your mouse and select "Set as Background". (You can also save it to your computer and set it up from there if you prefer.) The size is 1024 x 768, but you can modify it if needed in your own photo-editing program.

Sabtu, 30 Juli 2011

Reel Thoughts: Absolution Day

If potential and casting were all that mattered, Cowboys & Aliens would be a surefire hit. Unfortunately, perhaps driven by the oh-so-serious Daniel Craig, everyone involved decided to fight every impulse to inject humor, lightness and originality. Don’t get me wrong, Cowboys & Aliens is extremely well made and Craig, Harrison Ford, Sam Rockwell and Olivia Wilde give good performances. It’s just that they could have called the thing “Absolution Day” and called it a day. It is so by rote, I expected Bill Pullman to show up as President Grant to deliver a rousing battle speech before they kick alien butt. Cowboys & Aliens is perfectly serviceable and gets the job done, but it could have been so much better.

Craig plays a mysterious stranger who isn’t Clint Eastwood, who shows up in the lawless town of Absolution in the New Mexico Territory circa 1875. He has a strange bracelet and no memory, but it appears that he is a train robber named Jake Lonergan, who is wanted for murder. Wilde plays a prairie knockout named Ella, who seems to know where Jake has been and what the bracelet means.


Ford is Colonel Dolarhyde, the iron-fisted boss of the town, whose ne’er-do-well son Percy (Paul Dano) is a drunken blowhard itching for a fight. Soon, the townsfolk have more to worry about than Percy’s random shooting of deputies; alien ships appear and start snatching people and blowing things up. Jake’s arm shackle activates and helps him blast one of the invaders out of the sky, and he realizes that he is the only one who can beat the aliens.

Cowboys & Aliens echoes Super 8 with its underground slimy creatures, but it is totally missing the latter’s sense of wonder and exuberance. Director Jon Favreau knows action and he does a good job with the battle scenes. Craig gives gravitas to his character, and makes you feel for the loss of his love (Abigail Spencer). If the screenwriters had just embraced the premise’s campier aspects, Cowboys & Aliens could have been out of this world fun.

Review by Neil Cohen, resident film critic of Movie Dearest and Phoenix's Echo Magazine.

Jumat, 29 Juli 2011

Reverend's Reviews: Double Vision

History has proven that Saddam Hussein, the late long-ruling dictator of Iraq, was no Mr. Nice Guy. If The Devil's Double is to be believed, however, Hussein's son Uday — a.k.a. "The Black Prince" — was even more decadent and vicious. This fact-based, no-holds-barred exposĂ© of political corruption and immorality opens today in New York and Los Angeles.

"We must have discipline," proclaims Uday, just prior to beating the unfortunate soldier coerced into serving as his body double. Former schoolmates and similar-looking enough to have been confused as brothers, Latif Yahia and Uday form an uneasy partnership, with the safety of Latif's parents and siblings serving as necessary collateral.


As Latif and Uday, Dominic Cooper's performance blew me away. Cooper is probably best known for his role as the fiancé of Meryl Streep's daughter in the movie version of Mamma Mia!, but can also be seen currently in Captain America: The First Avenger as Howard Stark. The Devil's Double marks Cooper's first lead in a feature film. It's a terrific double-turn, and he is particularly good as the unhinged Uday. It doesn't hurt that director Lee Tamahori (Die Another Day) doesn't refrain from showing off Cooper's impressive physical attributes as well.

Actually, the entire cast is excellent. French actress Ludivine Sagnier (Swimming Pool) utilizes an effective mix of bravado and fear as one of Uday's prostitute mistresses who falls for Latif. Raad Rawi memorably portrays the Husseins' head of security as, in the words of Latif, "a good man in a bad job." As Saddam Hussein, Australian actor Philip Quast inspires no small degree of sympathy once the audience has gotten to know his spoiled, sociopath son (Quast also plays Saddam's double). Mimoun Oaissa has fun as Uday's gay assistant/dresser.


The screenplay by Michael Thomas is insightful, although scenes seem to become repetitive and the violence numbing as the film goes on. According to the press notes, Tamahori drew inspiration from Brian DePalma's 1983 version of Scarface, and it shows in the amounts of cocaine snorted and brutal bloodletting depicted. Like Scarface, The Devil's Double is definitely over the top at times, no less so than during a climactic birthday party Uday throws for himself where the guests are forced to disrobe. But then again, that's likely the way it was in Hussein-era, pre-Gulf War Iraq. Sam McCurdy employs gorgeous photography in desert shades of red, brown and gold of the story's setting, opulence and decadence (the movie was actually filmed in Malta).

"One day when God visits, we'll have justice," one character says. While Iraq is at present still taking slow steps toward democracy, at least the Husseins have been removed from power there once and for all. The Devil's Double makes it abundantly clear that this couldn't have happened a day too soon. See the movie if for no other reason than Dominic Cooper's revelatory performance, and watch a star being born.

Reverend's Rating: B

Review by Rev. Chris Carpenter, resident film critic of Movie Dearest and the Blade California.

Selasa, 26 Juli 2011

Toon Talk: Reel American Hero

Created by Joe Simon and Jack Kirby in 1941, the star-spangled Marvel Comics hero known as Captain America has been fighting for truth, justice and the American way for 70 years now. In his long, illustrious career, the good Captain’s four-color exploits have taken him from the battlefields of World War II to the far reaches of outer space. But Cap’s greatest challenge was making a successful leap to the silver screen.

Now in theaters, Captain America: The First Avenger achieves that feat with flying colors. This period-perfect film boasts superior production values, an embarrassment of acting riches cast-wise and plenty of flag-waving enthusiasm that carries this never campy, always gung-ho summer actioner to blockbuster heights. As directed by Joe Johnston (who also helmed the similarly-set cult favorite The Rocketeer), Captain America smartly sidesteps the typical pitfalls of the superhero genre, playing more like a WWII spy thriller… albeit one that just happens to have a super-powered leading man.


Chris Evans (who has plenty of cinematic super-powered experience thanks to two Fantastic Four flicks, Push and Scott Pilgrim vs. the World) is said leading man...

Click here to continue reading my Toon Talk review of Captain America: The First Avenger at LaughingPlace.com.

UPDATE: Captain America: The First Avenger is now available on DVD and Blu-rayfrom Amazon.com.